142 Free Artworks of Red Stockings

samuel putnam avery collectionetchings by charles meryon in the new york public librarydrawings in musée carnavaletjolly (1776-1839)jollyunexecuted projects for palais royallouis-pierre baltardmeryon (delteil 095)meryon (delteil 101)satirical prints in the british museum
Projet d'installation de la Bourse au Palais Royal, D.6907, Louis-Pierre Baltard, Vers 10–1807
unexecuted projects for palais royaldrawings in musée carnavalet
The Minister of State, in full costume, James Gillray, 1798
prints by james gillray in the british museumsatirical prints in the british museum
Projet d'installation de la Bourse et de l'Opéra au Palais Royal. Plan du Rez-de-Chaussée, D.6904(2), Louis-Pierre Baltard
unexecuted projects for palais royaldrawings in musée carnavalet
Projet d'installation de la Bourse et de l'Opéra au Palais Royal. Plan du Rez-de-Chaussée, D.6904, Louis-Pierre Baltard
unexecuted projects for palais royaldrawings in musée carnavalet
Robert Blake, General at Sea, 1598-1657, Robert Blake, 1829
oil paintings of the royal museums greenwich1829 in art
La Bourse. 16. G.10592, En 1844
prints in musée carnavaletles quartiers de paris
La Bourse. 16. G.10592(2), En 1844
prints in musée carnavaletles quartiers de paris
Rue des Déchargeurs, vue prise de la rue de Rivoli, 1er arrondissement, Paris, PH550(2), between 1865 and 1868
photographs by charles marville in musée carnavaletrue des déchargeurs (paris)
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Petit Prince Dito., 1854
samuel putnam avery collectionprints of horses in the nypl
Address of Rochoux, print dealer., 1854
samuel putnam avery collection
La loi solaire., 1854
samuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Presentation of Valère Maxime to King Louis XI., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Frontispiece for the catalogue of the work of Thomas de Leu., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [second plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Address of Rochoux, print dealer., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [first plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
L'Attelage., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Clozel dans le rôle de Monsieur Beaufils. D.1565, Jolly, Entre 1808 et 1832
drawings in musée carnavaletjolly (1776-1839)
L'ancienne rue du Coq Saint-Jean (actuelle rue des Archives), quartier Saint-Merri, 4ème arrondissement, D.12442, Jules-Adolphe Chauvet, En 1880
drawings of paris by jules-adolphe chauvetdrawings in musée carnavalet
Binding by Ramage, late 19th or early 20th century (5352564383), John Ramage
bookbinding in the national library of new zealandbook covers
"Larkoul", John William Edy, 1800
boydell's picturesque scenery of norwaylarkollen
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vigni dans le Role de Mr Musard, D.1577, Jolly, Entre 1808 et 1832
drawings in musée carnavaletjolly (1776-1839)
Dubois dans Mr Spit de a Jolie parfumeuse Vaudeville, D.1567, Jolly, Entre 1808 et 1832
drawings in musée carnavaletjolly (1776-1839)
Vigni dans le rôle de Marcelin (Dans maisonnettes), D.1578, Jolly, Entre 1808 et 1832
drawings in musée carnavaletjolly (1776-1839)
La pointe de l’Ile Saint Louis, Notre Dame Le Mail (port de l’Hôtel de Ville) quai de la Cité et quai aux Fleurs et le p, D.8196, Jules-Adolphe Chauvet, En 04–1885
drawings of paris by jules-adolphe chauvetdrawings in musée carnavalet
Michot Role de Buller dans les Deux frères, D.1574, Jolly, Entre 1808 et 1832
drawings in musée carnavaletjolly (1776-1839)
6e échelon ascendant. Le contrat, BAL1998.197, En 1824
emile-charles wattier
Une promenade, BAL91.113
jadis & aujourd'hui (monnier)
Diorama van een slavendans, NG-2005-24, Gerrit Schouten, 1830
dioramas by gerrit schoutenslavery in suriname
Incompatibilité d'humeurs. Une consultation. Fashionables, BAL91.54, Henry Monnier
henry monnier
Galerie politique, planche 2, Paris Musées 20230706203908, En 1831
collections of maison de balzacsymbolism
Consequences of a successful French invasion -No 1. Plate 1st-, James Gillray, 1798
prints by james gillray in the british museumsatirical prints in the british museum
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